Tuesday, January 27, 2026

America in Harmony


Get Your Tickets at Ticket Link

America In Harmony with the Orchestra of Southern Utah
by Amy Gold

Cedar City:  In celebration of America 250 the Orchestra of Southern Utah performs some great American compositions on Thursday, Feb. 19, at 7:30 p.m. in the Heritage Theater in Cedar City. Starting with the , we pay tribute to our country's founding. The song originated after the bombardment of Fort Henry and a poem by Francis Scott Key in 1814.  It became the national anthem in 1931. 


Carylee Zwang, OSU Music Director, conducts the orchestra with music that ranges from the American Revolution into the 20th century development of jazz, a uniquely American musical form. "The OSU season this year is America's Playlist, as we explore a wide variety of American music," said  Zwang. 


Rhapsody in Blue by George Gershwin epitomizes the fusion of styles that characterize American music, with elements of syncopated jazz and classical forms. Gershwin wrote, "I heard it as a sort of musical kaleidoscope of America, of our vast melting pot, of our unduplicated national pep, of our metropolitan madness." Christian Bohnenstengel plays the exciting piano concerto with Trevor Davis setting the mood with the memorable opening clarinet solo. Both are on the SUU Music Department faculty. Bohnenstengel feels equally at home in a wide range of musical genres. Praised as “a master of contrasts” (Aalener Nachrichten) and for his ability to “put the audience into a state of sheer awe” (Gmünder Tagespost), Christian’s performances have taken him all over the United States, to South America, Asia, and to Europe. Christian is a founding member of Southern Utah University’s faculty jazz combo Kind of Blue, and he frequently performs with various jazz ensembles and combos. He is familiar to OSU audiences playing keyboard in Handel's Messiah.  Davis is the Director of Woodwinds and also performs many genres of music. Both have performed with local jazz ensembles as well in many classical music concerts.


Aaron Copland wrote the Rodeo Suite in 1942 for dancer Agnes DeMille. The ballet captures the spirit of the American West, starting with Buckaroo Holiday and ending with the rousing Hoedown. Copland incorporated danceable, popular fiddle tunes into the piece and it has remained one of the most popular of American compositions. The John Mead Dance Company (JMDC) will be dancing to the live orchestra for this celebrated music. Building on a lifetime of dance in New York, Singapore, and many other locales, and after having moved to Cedar City in 2023, Mr. Mead and his wife, Mei Chian Lim, presented their professional dance company's debut concert here at the Heritage Theater this past fall, featuring all local dancers who have auditioned into the company, plus a special guest dancer from New York.


The haunting Adagio for Strings by Samuel Barber was originally composed for string quartet. It has become internationally famous as a soundtrack for films such as Elephant Man and Platoon. The pathos of the music made it suitable for several prominent events including the funerals of Albert Einstein, President Roosevelt and President Kennedy. It was also performed at a 9/11 memorial concert. Assistant conductor David Jordan will direct this piece.


Another popular American composer was Leroy Anderson who created hits like Sleigh Ride and the Typewriter for the Boston Pops Orchestra.  Blue Tango was a top Billboard piece in 1952. It was the first instrumental recording to sell one million copies. Anderson was a translator during WWII in Iceland. His family was from Sweden and he had been studying Scandinavian languages at Harvard before the war.


The Entertainer by Scott Joplin received new attention in the movie The Sting with Paul Newman and Robert Redford. Joplin helped popularize ragtime music during the World Fair of 1893 in Chicago. He was originally from Texas, but later lived in New York. His music became foundational for the developing jazz genre.


Boogie Woogie Bugle Boy was one of the most popular of the Andrew Sisters' songs from World War II. The vocal quartet SideNote will perform with the orchestra. The song was introduced in an Abbot and Costello movie in 1941. Bette Midler, Christina Aguilera, and other popular vocalists have frequently performed this "jump blues song". 


The French composer Henry Vieuxtemps wrote Souvenir d'Amerique while he was on a trip to New Orleans in 1843. The elaborate variations on Yankee Doodle were originally for violin solo with piano, but OSU will play an orchestra arrangement.  The recent Ken Burns television series on the American Revolution reminds us that that French were essential to the success of the war. The Yankee Doodle melody predates the American Revolution and the mocking words by the British were updated by the Americans to the current version.


"This America 250 concert promises to be a highlight of the season," said Harold Shirley, OSU President. "We hope you will join us." 


Lobby music before the concert will be provided by pianist Sophie Heaton.


 Tickets are available at myosu.org.  Children over five are welcome with adult supervision. No babies or smaller children please, as the concert will be recorded. The Orchestra of Southern Utah is a community orchestra of professionals and dedicated amateurs that brings live music performances to our area. 



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For more information:  Amy Gold, OSU Manager, 435-233-8185


Who: Orchestra of Southern Utah

What: America 250 Concert 

When: Feb. 19 at 7:30 p.m.

Where: Heritage Theater, 105 N. 100 East, Cedar City

Why: Celebration of great American music

How: Orchestra and guest performers bring these iconic pieces to life.


Preview the Music: https://osulistening.blogspot.com/2026/01/america-in-harmony-listening-links.html

John Mead Dance Company will perform during Copland's Rodeo Suite.



Pianist Christian Bohnenstengel feels equally at home in a wide range of musical genres. Praised as “a master of contrasts” (Aalener Nachrichten) and for his ability to “put the audience into a state of sheer awe” (Gmünder Tagespost), Christian’s performances have taken him all over the United States, to South America, Asia, and to Europe. Christian is a founding member of Southern Utah University’s faculty jazz combo Kind of Blue, and he frequently performs with various jazz ensembles and combos.


Christian has performed on public radio, and he has presented at state, regional, national and international conferences. David DeBoer Canfield (Fanfare Magazine) remarked about his Albany Records CD Set No Limits with clarinetist Dr. Jessica Lindsey that the “piano parts are superbly rendered by Christian Bohnenstengel, whose artistry also greatly impresses me.” His latest recordings are Jazz Hands II with the Shawn Owens Project Trio and Southern Utah Jazz Collective.


Christian has been Director of Keyboard Studies at Southern Utah University since 2011. He received his Bachelor of Arts degree from Missouri Western State University, and he earned Master of Music and Doctor of Musical Arts degrees from the University of Nebraska-Lincoln. Christian founded the MTNA collegiate chapter at SUU, and he served as chair for collegiate programs on the UMTA state board for several years. He currently serves as secretary for the Southwest Chapter of the College Music Society.


SideNote Quartet will liven up the Boogie Woogie Bugle Boy


Carylee Zwang directing OSU for the Rock Gold Concert 





Wednesday, January 21, 2026

Congratulations to Lindsay Szczesny on Conducting the All State Orchestra for Junior High

 OSU Musician Lindsay Szczesny directed the All State Orchestra for Junior High students at Abravanel Hall in Salt Lake City this past weekend. 

Concert Photos:








Lindsay Szczesny's introduction to the music at the concert:

"We just played the American folk song, Crawdad, arranged by William Zinn, a 20th century classical violinist with a big personality who lived a rich musical life amongst all genres—jazz, rock, pop, and fiddle—until he passed away in 2017 at the age of 92.

The next piece is the first classical piece that brought me to tears. At about age 12, I was home alone in the kitchen and listened to Pachelbel’s Canon on our family’s sound system, and I just felt the profundity of the beautiful harmonies. 

After that, you will hear Fire in the Forge, written by the contemporary American Composer, Ted Allen. My hunch is that this piece was influenced by the music of modern heavy metal groups like Metallica. The ostinato in the low strings, more rightly called a hook, acts as a cohesive driving force and melody in its own right. And the violins float above that with a powerful force of their own.

Then we’ll play Welsh Rum and Rarebits, a collection of Welsh folk tunes that musically describe tales of a harp player’s death, a vigorous hunting party in search of a rabbit, hiking the mountains to a secret lake where legend says as a madman or a poet, and men dancing at a wedding in the village of Wrexham, Wales. 


My last name, Szczesny, means “lucky” in Polish. Tonight I feel lucky indeed to be in this tiny crux of time with these 60 students; they came together with expectant faces, tired at times, but willing to work hard—And work hard they did. They gave me so much respect throughout our 13 hours together, and they were prepared for that because of their own music teachers. In an anonymous survey, the students described their music teachers as 

encouraging and kindly correcting
energetic and fun
kind, understanding, and amazing
taking time to connect with and really knows us
loving her job
Helping me feel good at my instrument
developing my critical thinking
Laughing and joking
Pushing us to be better.

I’m stunned with the power of hands reaching to us from the past, obviously through composers, but especially through my private teachers—Sara Penny, Debbie Hafen, Jack Ashton, Ted Ashton, Marjorie Bagley, and Rebecca McFaul—and my conductors—June Thorley, Kevin Call, Sergio Bernal, Xun Sun, David Jordan, Carylee Zwang. These people stand before our ensembles to make us a cohesive body and give us beauty because they give us their perspective, their soul, their wisdom, their preparation, and their vulnerability. They teach us what marcato and subito mean, they teach us how to hold a bow and how to do vibrato, they give us power and strength to see more in ourselves than we would otherwise see, and we are forever changed, for music teaching gives a depth to life that lasts til we die. To be a link in that chain for these students has been a more gorgeous experience than I ever imagined. I’ve enjoyed their eager, excited, and respectful approach at the start of every rehearsal as they’ve come on time ready to improve. Thank you to the organizers of these All-State ensembles for allowing us to collectively express the human spirit with dignity across cultures and time.

And now we join hands with creators of the past, especially Freddie Mercury and the band Queen, to play for you a modern classic, Bohemian Rhapsody."

Rehearsal Photos:




Saturday, January 17, 2026

2025 Photos for Handel's "Messiah" Performance

Thanks to everyone who participated and attended the 85th performance of Handel's Messiah in Cedar City. It is a huge understaking and we appreciate all of the musicians, directors, and the support staff. We are especially thankful for the dedicated audience. 

 Program link for 2025 Messiah performance

Article on 2025 Messiah performance

Photos by Gannon Lovisa












Photos from OSU staff, musicians and patrons

Soloists and directors


CAIFA volunteers for Sunday treats
2nd violin section with Jackie Riddle-Jackson


Backstage with Director Jackie Riddle-Jackson and concertmaster Carol Sue Ettinger


Southern Utah String Quartet provided pre-concert lobby music






Saturday, December 13, 2025